Taylor A. Greer is an associate professor and teaches undergraduate and graduate courses in music theory and analysis. Born in Lincoln, Nebraska, he received a bachelor of arts in music and philosophy from Yale College, a master of music from the University of Michigan, and a Ph.D. in music theory from Yale University. He joined the Penn State faculty in 1987.
Much of his research has focused on the thought of Charles L. Seeger, the twentieth-century American composer, theorist, and philosopher, for which he was awarded a fellowship from the American Council of Learned Societies in 1991. In his book, A Question of Balance: Charles Seeger's Philosophy of Music (University of California Press, 1998), he argues that Seeger's aesthetic philosophy served as the seed from which his writings in music compositional theory, criticism, and musicology all grew. Greer contributed an essay on Seeger's theory of criticism for the collection Understanding Charles Seeger: Pioneer in American Musicology (University of Illinois Press, 1999) as well as an article on the mutual influence between Seeger and his wife Ruth Crawford entitled “Philosophical Counterpoint: A Comparison of Seeger's Composition Treatise and Crawford's Folksong Appendix” for the collection Ruth Crawford Seeger’s Worlds (University of Rochester Press, 2007). In addition, he has published essays and reviews in Journal of Music Theory, Theory and Practice, and In Theory Only, and has delivered papers at the Society for Music Theory, the American Musicological Society, the Society for American Music, the Semiotic Society of America, the University of Edinburgh, and the Institute for Musical Studies, University of London.
At present, Greer is writing a book devoted to the pastoral in the works of the visionary American composer, Charles Griffes (1885-1920). In this book he explores the new conception of the pastoral that emerged in Griffes’s late works, which transformed the siciliana-based tradition he had inherited from the past into a multi-dimensional expressive genre that integrates elements of drama and irony. This study will integrate Greer’s interests in analysis, music semiotics, aesthetics, and the rich historical cross currents in late-Victorian and fin-de-siècle French culture.
In 2007, he received the Faculty Award for Outstanding Teaching from the College of Arts and Architecture. His teaching interests include harmony, counterpoint, turn-of-the-century French art song, early modernism, music semiotics, and Schenkerian theory.
He is also interested in the pedagogy of aural skills. Sight Singing Complete, 8th edition, by joint authors Maureen Carr, Taylor Greer, Eric McKee, and Phillip Torbert, was published by McGraw-Hill on March 21, 2014, which coincided with J. S. Bach's 329th birthday. This collective effort reflects the fruits of many years of collaborative teaching among four colleagues in the School of Music's theory area.
Essay entitled “Peacocks, Paradox, and Peripeteia: Griffes’s Transformation of the Pastoral,” was published in online Conference Proceedings of the International Conference on Music Semiotics in Honor of Raymond Monelle, ed. N. Panos, V. Lympouridis, Publisher; International Project on Music and Dance Semiotics, 2013.
Essay entitled "The Unfolding Tale of Charles Griffes's 'White Peacock'" published in A Music Theoretical Matrix: Essays in Honor of Allen Forte, (Part II), ed. David Carson Berry, Gamut, 3/1 (2010): 167-203.
Understanding Charles Seeger, Pioneer in Musicology
ed. Bell Yung and Helen Rees, Taylor A. Greer (contributing author)
This volume embraces the rich interdisciplinary fabric of Charles Seeger's thought, which blended together composition, theory, criticism, historiography, musicology, ethnomusicology, and philosophy. Greer's essay illuminates the influence that such thinkers as Goethe, Henri Bergson, and Bertrand Russell had on the formation of Seeger's ideas. University of Illinois Press, 1999
A Question of Balance: Charles Seeger's Philosophy of Music
Taylor Aitken Greer
A Question of Balance explores the vast writings of Charles Seeger, the twentieth-century American composer, teacher, theorist, and philosopher. Perhaps best known as the father of the folk singers Pete, Mike, and Peggy Seeger, Charles was as passionate about making music as he was about making sense of it. As a whole, his writings are like music-intellectual tapestries in which the threads of ultra-modernist composition, folk music, and philosophical speculation are all interwoven. One reviewer concluded that Greer's book is “…in the main a brilliant study of a brilliant man, which will do much to enhance the reputations of both its subject and its author.” (Music and Letters)
University of California Press, 1998
Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-century Music, ed. Ray Allen and Ellie M. Hisama, Taylor Greer (contributing author).
Charles Seeger and Ruth Crawford Seeger formed one of the most unusual partnerships in twentieth-century American music. Two of the fruits born from this partnership, his composition treatise and her commentary on an anthology of folk songs, shared the same philosophical approach.
University of Rochester Press, 2007.